
Self-portrait, digital image, 2015
Sometimes life fails me.
Mirrors reveal my terror:
being Black scares me.
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Self-portrait, digital image, 2015
Sometimes life fails me.
Mirrors reveal my terror:
being Black scares me.
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Even in the grey,
those overwhelming moments,
when all seems lost: dance.
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not enough to be born
into a must-be-better-than
and can-never-be-good-enough
dominant society that shames
god-given skin, that uses
words and guns to trump,
that whitewashes while adding
phalluses to a supposed history,
that does not know its own face,
a Dorian Gray, if ever one existed,
playing a solitary piggy in the middle
while making a mockery of freedom,
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Paradise Lost. Book ii. Line 146 (Lodestar), acrylic on paper and digital, 11 x 14, Miles Pasick.
I opened myself,
and there I was.
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A great poem to start National Poetry Writing Month. Also, this one:
Wild Geese
You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about your despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.Mary Oliver
If there is one theme I keep going back to in these Lifesaving Poems posts, it is this: behind every discovery of every single poem in the list there is a person who nudged it forward, often directly, sometimes invisibly, frequently without knowing it, towards me. From friends, fellow poets and teachers, to sitting in a car park waiting for a poetry workshop, or driving to one, I feel the luckiest of people to have had such great mentors.
This is no less true of my discovery, some three or so years ago, of Mary Oliver’s poetry. Now, I realise, as with my discovery of Billy Collins, that I was pretty much the last person I know to come to this particular party. Until I found this marvellous blog post by my old friend Malcolm Doney I had kind of felt Oliver’s searching and tough-delicate poems…
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The time has come again. The sunshine of April, twittering birds, budding flora and that overwhelming desire to create signals not only the beginning of spring but also the start of a month-long celebration of poetry. Yes, it is National Poetry Month, the world’s largest literary celebration, and this year marks its 20th anniversary. To celebrate, […]
via Poetry.Org Celebrates 20th Anniversary of National Poetry Month — JCU // Creative Writing Workshop
Tuesday, April 26, 2016, 6:30-8:00 PM, Reading by Poet Eleanor Wilner. Eleanor Wilner is the author of seven books of poems, including Tourist in Hell (University of Chicago Press) and The Girl with Bees in Her Hair (Copper Canyon Press). Her work is widely anthologized, most recently in The Best American Poetry 2014. (From JohnCabot.edu) […]
via April 26 | Poet Eleanor Wilner to Read at JCU — JCU // Creative Writing Workshop
(Of course, I am still behind, but here is my entry for today! The formatting is far from correct, but I am having a bit of difficulty with WP today. Poem is still a work in progress…)
Via Ostiense
There’s only one park bench
when you turn that corner
from that train station,
reading ROMA OSTIA LIDO,
announcing first where you are—
where you might be;
when you turn your back
on that displaced pyramid
of scaffolding, half-cleaned,
butted up against that
cemetery filled with those
people who didn’t belong—
at least to the Vatican;
when you can see a bookstand,
covered by used books and rags,
all bounded up by ropes, propped
up by planks of wood to form
a makeshift table—it’s guarded
by an old man and his would-be
customers or companions;
when can you smell a wall of graffiti,
stained by urine, new and old,
smell cigarettes strewn to create
a mosaic with leftover vomit
from the night before the night
before the night before that,
and smell the people passing by
who never glance even one eye
at either bench or stand—
it’s always like that.
Once the lights of night become
only stars, you learn to fear its dark
corners, unless you’re a tourist or
young or careless or drunk or
drugged or any combination
that might make you feel safe
when it’s late in the city, or perhaps
you’ve already learned that lesson—
perhaps you’re in the midst of it?
No one sits or lays on that bench—
except that man with the scraggly hair,
sadly wild eyes, tattered clothing,
swollen feet, darken face but not Black,
smelling of yesterday and the day before that,
smelling of all that’s missing: a home, family,
friends—still, he’s got his cigarettes, half-smoked
by strangers, collected in a cup mixed in
with coins and no lighter.
Scongelare*
Doli agreed with me about the pleasure,
though twisted, to be found in action-less love,
through the act of loving, not taking measure,
not caring why or how it came to be, of
not knowing when or where it will go, loving
simply because there is no other choice but
to love, disregarding old boundaries, trusting
the depth of time to heal any old wounds, cut
through the bitterness that hardens our hearts
every time we love and then lose ourselves
in that loving, that careless tossing of parts,
that ultimate destruction of self that delves
too deeply within us, rooting us to
the bitterness of having said “I love you.”
(Scongelare means to figuratively unfreeze, or literally defrost)
An insight to a heart mind and soul.
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